Slowly does it
  • Home
  • Workshop
  • Cello
  • Cello #2
  • Ducati

Building a Cello

Purfling the back and the front

19/4/2020

0 Comments

 
Purfling is a thin laminated strip of wood going round the edge of both the back and the front plates. Its purpose is both decorative and functional. The length wise grain of the purling strengths the edges of the plates.

There is some variation as to when the purfling is done. It seems to be most common to do the purfling after the rough arching so that's what I will also do. Since the purfling is at a constant distance from the finished edge, the ribs (sides) need to have been done at this stage. I have done those, but I will probably describe the process in detail after I have finished the top plate as this is what I am doing at the moment. I hope this little discontinuity won't be confusing. I used the ribs to draw the outline of the cello on the back and the top plates and then removed most of the extra material using a saw and brought the outline to the marked line using a file.
Once the plate has the correct shape, adding the purfling itself can start. ​The first step is to  prepare a flat surface all around the edge of the plate. I first marked the width of the flat surface with a pair of compasses and then flattened the edge using a small plane and a file. As I didn't take many photos when working on the front, the photos below are a mixture from making the back and the front.
After this, the purfling groove is marked with a special pufrling marker. The flat edge helps to do this accurately. I built a purfling marker from a bit maple I had extra from the back, and some nuts and bolts I had available. The blade is from a small knife. First both sides of the purfling are marked lightly with the marker, and then cut carefully deeper using a sharp knife. The width of the groove should of course match the thickness of the purling used. Once the edges have been cut to sufficient depth, the groove can be excavated using a purfling picker. I again made my own from a small chisel I had lying around.
There are a few places which need extra attention. The first are the corners where the purfling from the c-bouts meet the ones from the upper and lower bouts. I made these so that the purfling  in the c-bout stays a constant distance from the edge and purfling from the upper and lower bouts come to meet them. This means that the distance of the purfling from the edge is larger for the upper and lower bouts near the corners.
The second place which needs to be handled differently is at the top of the back plate where the button is. This cannot be marked using the purfling marker. I made a template from the front plate and used that to mark the purfling groove of the back. The photos below also show another little tool I made. It is just a small block of oak with a short piece from the end of a hacksaw screwed in. The oak block makes sure the bit of saw blade stays perpendicular and also that it doesn't cut too deep. With this little helper it was quite easy to make the purfling groove the same depth everywhere. The blade needs to be short so that it can be used also in the tighter parts of the curves. 
Once the groove has been made, the purfling can be bent to follow the shape of the groove. I don't have fancy bending iron so I used an aluminium pipe and a blowtorch to heat it up. The pipe stayed hot quite long so I didn't need to have the blowtorch on while bending. Working this way I could bend the purfling for a couple of grooves before needing to heat the pipe up again. Once the purfling had the correct shape it could be cut to size. I glued in first the purflings in the c-bouts, trimmed them to the level of the plate surface and prepared the end for a nice joint with the purfling from the upper and lower bouts. The purfling wasn't long enough for the lower bout so I had to splice it. I did it widthwise and later read somewhere that one should do it in up/down direction. I think it worked out pretty nicely like this too, and actually the one I made was on the front which will anyways be cut out since the saddle comes where the splice was. I haven't yet done the purfling of the lower bout of the back so I can still make that one correctly.
Some good references:
  • ​www.derekroberts.co.uk/making/purfling.htm
  • osnesviolins.com/9.Purfling%20&%20Edges.htm
  • www.makingtheviolin.com/Marking%20and%20cutting%20the%20purfling%20channel
  • www.makingtheviolin.com/Bending%20and%20gluing%20the%20purfling
  • www.lumberjocks.com/techyman2/blog/21454
  • YouTube: maestroKimon: Making a violin - step 7 - the purfling​
  • YouTube: Davide Sora: Arrotondamento dei bordi di fondo e tavola
  • YouTube: Davide Sora: Filettatura
  • YouTube: David Ireland: Violin: Carving the Top Plate - Part II
  • YouTube: David Ireland: Violin: Carving the Bottom Plate - Part II
0 Comments



Leave a Reply.

    Author

    My son is outgrowing his cello soon. Could there be a better reason to learn how to make one :).

    All content Copyright © Aleksi Halkola

    Archives

    April 2021
    March 2021
    February 2021
    December 2020
    November 2020
    October 2020
    September 2020
    August 2020
    July 2020
    June 2020
    May 2020
    April 2020

    Categories

    All
    Back
    Bass Bar
    Body
    Bridge
    Button
    Case
    End Pin
    Ff Holes
    Fingerboard
    Front
    Label
    Neck
    Nut
    Other
    Pegbox
    Pegs
    Primer
    Purfling
    Ribs
    Saddle
    Scroll
    Sound Post
    Stain
    Strings
    Tailpiece
    Tool
    Varnish

Site powered by Weebly. Managed by Avaruus.net
  • Home
  • Workshop
  • Cello
  • Cello #2
  • Ducati